What's on

The new year begins with a restaging of choreograper Tero Saarinen's creation 'Transit' about finding a way forward from what has been and the hope of finding a new beginning, a striking fusion of music, dance and visual design.

The new year begins with a restaging of choreograper Tero Saarinen's creation 'Transit' about finding a way forward from what has been and the hope of finding a new beginning, a striking fusion of music, dance and visual design.

The new year begins with a restaging of choreograper Tero Saarinen's creation 'Transit' about finding a way forward from what has been and the hope of finding a new beginning, a striking fusion of music, dance and visual design.

The new year begins with a restaging of choreograper Tero Saarinen's creation 'Transit' about finding a way forward from what has been and the hope of finding a new beginning, a striking fusion of music, dance and visual design.

The new year begins with a restaging of choreograper Tero Saarinen's creation 'Transit' about finding a way forward from what has been and the hope of finding a new beginning, a striking fusion of music, dance and visual design.

The new year begins with a restaging of choreograper Tero Saarinen's creation 'Transit' about finding a way forward from what has been and the hope of finding a new beginning, a striking fusion of music, dance and visual design.

The new year begins with a restaging of choreograper Tero Saarinen's creation 'Transit' about finding a way forward from what has been and the hope of finding a new beginning, a striking fusion of music, dance and visual design.

The new year begins with a restaging of choreograper Tero Saarinen's creation 'Transit' about finding a way forward from what has been and the hope of finding a new beginning, a striking fusion of music, dance and visual design.

The new year begins with a restaging of choreograper Tero Saarinen's creation 'Transit' about finding a way forward from what has been and the hope of finding a new beginning, a striking fusion of music, dance and visual design.

The new year begins with a restaging of choreograper Tero Saarinen's creation 'Transit' about finding a way forward from what has been and the hope of finding a new beginning, a striking fusion of music, dance and visual design.

Welcome to Skåne's most dangerous circus and a new dance performance by Jo Strømgren. 

Welcome to Skåne's most dangerous circus and a new dance performance by Jo Strømgren. 

A dance experience for curious critters and adventurous souls by choreographer Marcos Morau.

A dance experience for curious critters and adventurous souls by choreographer Marcos Morau.

A dance experience for curious critters and adventurous souls by choreographer Marcos Morau.

A dance experience for curious critters and adventurous souls by choreographer Marcos Morau.

A dance experience for curious critters and adventurous souls by choreographer Marcos Morau.

Welcome to Skåne's most dangerous circus and a new dance performance by Jo Strømgren. 

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Nothing is what it seems in our new wonderous creation where choreography, music and visual art become an ambulatory experience in a visually striking performance space.

Welcome to Skåne's most dangerous circus and a new dance performance by Jo Strømgren. 

'Mozart's Requiem' choreographed by award-winning Örjan Andersson was performed for sold out theatres in autumn 2019 earning praise from audiences and critics alike. This autumn the performance is back on Malmö Oepra's beautiful stage.

'Mozart's Requiem' choreographed by award-winning Örjan Andersson was performed for sold out theatres in autumn 2019 earning praise from audiences and critics alike. This autumn the performance is back on Malmö Oepra's beautiful stage.

'Mozart's Requiem' choreographed by award-winning Örjan Andersson was performed for sold out theatres in autumn 2019 earning praise from audiences and critics alike. This autumn the performance is back on Malmö Oepra's beautiful stage.

'Mozart's Requiem' choreographed by award-winning Örjan Andersson was performed for sold out theatres in autumn 2019 earning praise from audiences and critics alike. This autumn the performance is back on Malmö Oepra's beautiful stage.

'Mozart's Requiem' choreographed by award-winning Örjan Andersson was performed for sold out theatres in autumn 2019 earning praise from audiences and critics alike. This autumn the performance is back on Malmö Oepra's beautiful stage.

'Mozart's Requiem' choreographed by award-winning Örjan Andersson was performed for sold out theatres in autumn 2019 earning praise from audiences and critics alike. This autumn the performance is back on Malmö Oepra's beautiful stage.

'Mozart's Requiem' choreographed by award-winning Örjan Andersson was performed for sold out theatres in autumn 2019 earning praise from audiences and critics alike. This autumn the performance is back on Malmö Oepra's beautiful stage.

'Mozart's Requiem' choreographed by award-winning Örjan Andersson was performed for sold out theatres in autumn 2019 earning praise from audiences and critics alike. This autumn the performance is back on Malmö Oepra's beautiful stage.

'Mozart's Requiem' choreographed by award-winning Örjan Andersson was performed for sold out theatres in autumn 2019 earning praise from audiences and critics alike. This autumn the performance is back on Malmö Oepra's beautiful stage.

A dance experience for curious critters and adventurous souls by choreographer Marcos Morau.

'Mozart's Requiem' choreographed by award-winning Örjan Andersson was performed for sold out theatres in autumn 2019 earning praise from audiences and critics alike. This autumn the performance is back on Malmö Oepra's beautiful stage.